They Don’t Look Friendly

Katti Borre eagles

We board a small boat and push out through the pack ice, the hull cutting slowly through frozen slabs that grind and shift around us. It is surreal — this white, broken landscape stretching in every direction, the cold coming up off the ice in waves. The deckhand stands ready at the bow with fish, and we wait, cameras raised.

Then he throws the first fish onto the ice.

And they come.

Steller’s sea eagles. Enormous, dark, and fast — descending out of nowhere with a speed that makes your brain stall before your hands react. And then — chaos. Beautiful, savage, magnificent chaos. They descend on the fish with wings spread wide open, using their full span as a weapon, as a wall, as a declaration: this is mine. They dance on the ice — if you can call it that — pushing, jostling, wings beating, bodies colliding, each bird trying to dominate the space around the food. It is not elegant. It is raw and aggressive and completely thrilling to watch.

Katti Borre eagles

And they are right there. Uncomfortably, heart-stoppingly close. Close enough that you don’t need a long lens. Close enough that you can see every detail — the hooked yellow beak, the sheer scale of them, the cold fury in their eyes when a rival gets too close to the fish.

And I want to be very clear: they do not look friendly. Not even slightly. There is nothing warm or reassuring in a Steller’s eagle’s gaze. They look at you the way apex predators look at things they haven’t yet decided about. You are tolerated. Barely. For now.

Katti Borre eagles

For someone who is afraid of birds, this is — let’s call it — full immersion therapy. Thrown in at the deep end. On ice.

But the adrenaline is extraordinary. Each time a new eagle drops from the sky, wings open wide, crashing into the group already fighting on the ice below, something primal fires in you. You forget the cold. You forget the fear. You just shoot.

What nobody tells you is how physically brutal it is. You stand for what feels like hours, arms raised, a heavy camera with a telephoto lens pointed at a moving sky. Your shoulders burn. Your arms shake with the effort of holding steady. You lower the camera for thirty seconds of relief — and of course, that is exactly when the largest eagle of the day makes its most dramatic entrance onto the ice. You learn quickly: there is no rest.

Not out here.

—to be continued—

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